Ale González

Series of compositions that oscillate between the abstract and the three-dimensional through the use of geometric textures on flat tessellations based on the subdivision of randomly generated voronoi patterns.

Real-time online viewing of the play Delicescente Eva, created in collaboration with Sergio Moreno and Pablo Pujol. This work was commissioned by Álex Peña, a playwright who is researching the concept "exodrama". It's made up of a setup of sensors on scene, connected to an online software. It was put into practice at the premiere of the play at the Teatro de la Abadía (Madrid) so that a digital representation of the play could be attended, on the internet and in public spaces, using the theater's outside screen. A small publication was produced with all the data obtained in the representation.

This algorithm represents a series of geometric shapes through the interstices that are generated between them, using algebraic distance as the articulating element. This work was selected for the Processing Community Catalog.

Data visualization of chromaticism and aroma of the flora in the public space of Seville. This work was commissioned by Nomad Garden, as part of the exhibition El Jardín Cosmopolita that took place in the Carriage Room of the Reales Alcázares and at the CaixaForum (Seville).

Algorithm inspired by the classic generative art work Substrate, in which birth/mortality rules are imposed on a tree structure.

Photographic project in progress that searches for and collects collages that appear naturally on the walls of cities I travel through. This is a very small collection. You can see the entire collection in the following link.

• https://414c45.net/mugre

This work is a game of life where each cell acts as a control digit of its environment using the validation algorithm of credit card numbers. It is scheduled for online representation in real time. This work was selected for the netart category of the 14th Image Festival of Manizales, Colombia.

• Watch it real-time

Samples of editorial illustration for El Topo magazine.

• https://eltopo.org

Graphical exploration of the introduction of glitches in a curve smoothing algorithm.

Tessellations created from regular polygon subdivision algorithms to which I give volume and depth through the use of textures inspired by the engraving technique.

Compositions that symbolically metaphorize the urban metabolism using the algorithm that I created for Intersticio. Series created to illustrate the article by José Pérez de Lama in the publication La Ciudad del Futuro.

Encoding and re-composition of Bridget Riley's classic work, Blaze.

Work created to illustrate the cover of La Pulsión de Andros, a pornographic novel by José Pernil. It's a drawing software that takes as source an image of Michelangelo's David and uses fields modeled by noise algorithms to generate tortuous and irregular brush strokes partially controlled by hand.

Visualizations of flow fields, modeled by physical forces of attraction and repulsion.

This experiment is based on the philosophical concept of emergence, which explains how the simple interaction of agents is capable of creating unplanned but coherent and highly organized logics (such as the behavior of social animals such as ants or termites). In this case, the piece is drawn by ring of particles whose behavior is influenced by what they know about their immediate neighbors in the chain. This, together with a physical dynamic modeled by a noise algorithm, ends up generating visual structures that oscillate between the geological, the organic and the abstract.

Visual remixes of the canonical representation of power that use computer vision algorithms and the geometric logic of tangram to subdivide portraits into geometries that are subsequently decomposed.

Visual remixes of the canonical representation of woman beauty. A hand-controlled bitshifting algorithm is used to deconstruct images (the "Hollywood beauties") that built, among others, the western ideal of female beauty in the 20th century.

Voids is a drawing software for the real-time generation of audio-reactive projections. To do this I use a set of triangular particles that react through physical attractions and repulsions to manual interaction. The name pays homage to Craig Reynolds' boids algorithm, which simulates the behavior of flocks of animals.